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" The business of a poet," said Imlac, " is to examine, \ not the individual, but the species ; to remark general properties and large appearances : he does not number the streaks of the tulip, or describe the different shades in the verdure of the forest. "
The Works of Samuel Johnson, LL. D.: A journey to the western islands of ... - Page 186
by Samuel Johnson - 1825
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A Popular Manual of English Literature: Containing Outlines of the ..., Volume 2

Maude Gillette Phillips - 1885 - 646 pages
...BOSWELL. QUOTATIONS. Imlac's Description of the Requirements of a Poet. — " The business of a poet is to examine not the individual, but the species...or describe the different shades in the verdure of a forest. He is to exhibit in his portraits of nature such prominent and striking features as recall...
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A Popular Manual of English Literature: Containing Outlines of the ..., Volume 2

Maude Gillette Phillips - 1885 - 612 pages
...BosWELL. QUOTATIONS. Imlac's Description of the Requirements of a Poet. — " The business of a poet is to examine not the individual, but the species;...or describe the different shades in the verdure of a forest. He is to exhibit in his portraits of nature such prominent and striking features as recall...
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Johnson's History of Rasselas, Prince of Abyssinia, Volume 1

Samuel Johnson - 1891 - 284 pages
...walk abroad without the sight of something which I had 10 never beheld before, or never heeded." " The business of a poet," said Imlac, " is to examine,...streaks of the tulip, or describe the different shades 15 in the verdure of the forest : he is to exhibit in his portraits of nature such prominent and striking...
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A Hand-book of English Literature: Intended for the Use of High Schools, as ...

Francis Henry Underwood - 1892 - 666 pages
...cannot walk abroad without the sight of something which I had never beheld before, or never heeded." " The business of a poet," said Imlac, " is to examine,...in the verdure of the forest. He is to exhibit in hij portraits of nature such prominent and striking features as recall the original to every mind,...
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The History of Rasselas, Prince of Abyssinia: A Tale

Samuel Johnson - 1895 - 252 pages
...hllt tVl£^r"-'"SJ to remark Qperties and large appearances. He does not number the streaJcs~6Ftlie tulip, or describe the different shades in the verdure of the forest. He is 15 to exhibit in his portraits of nature such prominent and striking features as recall- the original...
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The Legal News, Volume 20

James Kirby - 1897 - 424 pages
...grandeur of the outline of the surrounding hills. "The business of the poet," said 1m lac in Rasselas, " is to examine, not the individual, but the species;...appearances ; he does not number the streaks of the tulip, nor describe the different shades in the verdure of the forest." No; he deals not with minute details...
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History of Rasselas, Prince of Abyssinia

Samuel Johnson - 1898 - 228 pages
...never beheld before, or never heeded.' ' The business of a poet,' said Imlac, ' is to examine, not jo the individual, but the species ; to remark general...the forest : he is to exhibit in his portraits of natum such prominent and striking features, as recal the original t£ every I PRINCE OF ABrSSINIA....
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Self Culture, Volume 8

1899 - 972 pages
...Imlac, to the Prince of Abyssinia, spoke thus concerning the poet's art : <( The business of a poet is to examine, not the individual, but the species...appearances; he does not number the streaks of the tulip, nor describe the different shades in the verdure of the forest. He is to exhibit in his portraits of...
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Periods of European Literature, Volume 9

1902 - 414 pages
...manners ; not an individual but a species." Thus a novelist should be like Imlac's poet, who is not to " number the streaks of the tulip, or describe the different shades in the verdure of the forest," but to " mark general properties and large appearances." How consistently he worked on the lines thus...
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The Mid-eighteenth Century, Volume 9, Part 1

John Hepburn Millar - 1902 - 412 pages
...manners ; not an individual but a species." Thus a novelist should be like Imlac's poet, who is not to " number the streaks of the tulip, or describe the different shades in the verdure of the forest," but to " mark general properties and large appearances." How consistently he worked on the lines thus...
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