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I.

THE GAMBREL 1-ROOFED HOUSE AND ITS OUTLOOK.

A PANORAMA, WITH SIDE-SHOWS.

My birthplace, the home of my childhood and earlier and later boyhood, has within a few months passed out of the ownership of my family into the hands of that venerable Alma Mater who seems to have renewed her youth, and has certainly repainted her dormitories. In truth, when I last revisited that familiar scene and looked upon the flammantia mænia 2 of the old halls, "Massachusetts" with the dummy clockdial, "Harvard" with the garrulous belfry, 4 little "Holden "5 with the sculptured unpunishable cherubs over its portal, and the rest of my early brick-andmortar acquaintances,1 I could not help saying to myself that I had lived to see the peaceable establishment of the Red Republic of Letters.

1 " Know old Cambridge? Hope you do.

Born there? Don't say so! I was too.
(Born in a house with a gambrel-roof, -
Standing still, if you must have proof,
'Gambrel? - Gambrel?' - Let me beg
You'll look at a horse's hinder leg,
First great angle above the hoof,

That's the gambrel; hence gambrel-roof.)"

2 Flame-red walls.

Parson Turell's Legacy in The Autocrat of the Breakfast-Table.

3 Early views of Massachusetts show the clock in apparent activity.

4 Harvard Hall holds in its belfry tower the college bell.

5 Holden Chapel was built in 1744, and on the pediment fronting the Common may be seen the arms of the Holden family of England, with whose gift the chapel was built. It has long been devoted to other uses.

Many of the things I shall put down I have no doubt told before in a fragmentary way, how many I cannot be quite sure, as I do not very often read my own prose works. But when a man dies a great deal is said of him which has often been said in other forms, and now this dear old house is dead to me in one sense, and I want to gather up my recollections and wind a string of narrative round them, tying them up like a nosegay for the last tribute: the same blossoms in it I have often laid on its threshold while it was still living for me.

We Americans are all cuckoos, - we make our homes in the nests of other birds. I have read somewhere that the lineal descendants of the man who carted off the body of William Rufus, with Walter Tyrrel's arrow sticking in it, have driven a cart (not absolutely the same one, I suppose) in the New Forest from that day to this. I don't quite understand Mr. Ruskin's saying (if he said it) that he could n't get along in a country where there were no castles, but I do think we lose a great deal in living where there are so few permanent homes. You will see how much I parted with which was not reckoned in the price paid for the old homestead.

I shall say many things which an uncharitable reader might find fault with as personal. I should not dare to call myself a poet if I did not; for if there is anything that gives one a title to that name, it is that his inner nature is naked and is not ashamed. But there are many such things I shall put in words, not because they are personal, but because they are human, and are born of just such experiences as those who hear or read what I say are like to have had in greater or less measure. I find myself so much like other people that I often wonder at the coincidence. It was only the other day that I sent out a copy of verses 1 about my great-grandmother's picture, and I was surprised to find how many other people had portraits of their great-grandmothers or other progenitors, about which they felt as I did about mine, and for whom I had spoken, thinking I was speaking for myself only. And so I am not afraid to talk very freely with you, my precious reader or listener. You too, Beloved, were born somewhere and remember your birthplace or your early home; for you some house is haunted by recollections; to some roof you have bid farewell. Your hand is upon mine, then, as I guide my pen. Your heart frames the responses to the litany of my remembrance. For myself it is a tribute of affection I am rendering, and I should put it on record for my own satisfaction, were there none to read or to listen.

1 "There, in red brick, which softening time defies, Stand square and stiff the Muses' factories."

An Indian Summer Reverie, by J. R. Lowell.

I hope you will not say that I have built a pillared portico of introduction to a humble structure of narrative. For when you look at the old gambrel-roofed house, you will see an unpretending mansion, such as very possibly you were born in yourself, or at any rate such a place of residence as your minister or some of your well-to-do country cousins find good enough, but not at all too grand for them. We have stately old 1 See Dorothy Q., a Family Portrait.

Colonial palaces 1 in our ancient village, now a city, and a thriving one, square-fronted edifices that stand back from the vulgar highway, with folded arms, as it were; social fortresses of the time when the twilight lustre of the throne reached as far as our halfcleared settlement, with a glacis before them in the shape of a long broad gravel-walk, so that in King George's time they looked as formidable to any but the silk-stocking gentry as Gibraltar or Ehrenbreitstein to a visitor without the password. We forget all this in the kindly welcome they give us to-day; for some of them are still standing and doubly famous, as we all know. But the gambrel-roofed house, though stately enough for college dignitaries and scholarly clergymen, was not one of those old tory, Episcopalchurch-goer's strongholds. One of its doors opens directly upon the green, always called the Common; the other, facing the south, a few steps from it, over a paved footwalk, on the other side of which is the miniature front yard, bordered with lilacs and syringas. The honest mansion makes no pretensions. Accessible, companionable, holding its hand out to all, comfortable, respectable, and even in its way dignified, but not imposing, not a house for his Majesty's Counsellor, or the Right Reverend successor of Him who had not where to lay his head, for something like a hundred and fifty years it has stood in its lot, and seen the generations of men come and go like the leaves of the forest. I passed some pleasant hours, a few years since, in the Registry of Deeds and the Town Records, looking up the history of the old house. How those dear friends of mine, the antiquarians, for whose grave councils I compose my features on the too rare Thursdays 1 when I am at liberty to meet them, in whose human herbarium the leaves and blossoms of past generations are so carefully spread out and pressed and laid away, would listen to an expansion of the following brief details into an Historical Memoir!

1 Such as what was known as the Bishop's Palace, the houses on Brattle Street occupied in Colonial days by Brattle, the Vassals, Oliver, Ruggles, Lee, Sewall, and others. Most of the occupants were tories and Church of England men, and the principal line of mansions went by the name of Church Row.

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The estate was the third lot of the eighth "Squad(whatever that might be), and in the year 1707 was allotted in the distribution of undivided lands to "Mr. ffox," the Reverend Jabez Fox, of Woburn, it may be supposed, as it passed from his heirs to the first Jonathan Hastings; from him to his son, the long-remembered College Steward; from him in the year 1792 to the Reverend Eliphalet Pearson, Professor of Hebrew and other Oriental languages in Harvard College, whose large personality swam into my ken when I was looking forward to my teens; from him to the progenitors of my unborn self.

I wonder if there are any such beings nowadays as the great Eliphalet, with his large features and conversational basso profundo, seemed to me. His very name had something elephantine about it, and it seemed to me that the house shook from cellar to garret at his foot-fall. Some have pretended that he had Olympian aspirations, and wanted to sit in the seat of Jove and bear the academic thunderbolt and the ægis inscribed Christo et Ecclesiæ. It is a common weakness enough to wish to find one's self in an

1 The day of meeting of the Massachusetts Historical Society. 2 See Dr. Holmes's reference to the great Eliphalet, in his poem, The School-Boy, lines 256-262.

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