Melbourne Critical Review, Issue 12; Issues 14-16

aware becomes beginning Bleak House Chapter characters Chaucer Chekhov Cherry Orchard Christina Stead comedy comic Conrad consciousness course Cresseid Criseyde criticism culture death Dickens Dickens's Donne dramatic effect emotional energy Estragon experience fact Falstaff Fanny feel felt George Eliot give Gradgrind Hamlet Hardy Hardy's human imagination impulse instance intellectual interest irony Jane Austen kind language linguistic Lionel Trilling literature lives look Lopahin Lyubov Maisie Maisie's Mansfield Park Margaret's means mind moral nature never Nostromo novel Othello pain Pandarus passage perhaps play Podhoretz poem poet poetry Pope prose Prospero question Raskolnikov reader rhythms Ruined Cottage scene seems sense Shakespeare simply social speech stanza suggest syntax Talbothays Tess Tess's things Three Sisters tion tone Troilus Troilus and Criseyde University of Melbourne verse Vladimir whole words Wordsworth writing Yeats