The Witlings and The Woman-Hater

Front Cover
Broadview Press, 2002 M09 19 - 329 pages

This Broadview edition pairs two of Frances Burney’s linked comedies. They both present the character of Lady Smatter, a “femme savante” whose lineage may be traced back to Molière; they both centre on the misfortunes of the “elle” figure, the dispossessed heiress and wife who appears frequently in Burney’s fiction; and they both criticize a culture of misogyny that breeds suspicion and resentment. The Witlings, lighter and more comic, derives from late seventeenth-century conventions; The Woman-Hater, more melodramatic, both expresses and warns against the excessive sensibility of romanticism. Together, these two plays constitute a miniature history of English drama from the Restoration to the French Revolution and beyond.

This edition contains a valuable selection of appendices, including: Burney’s “Epilogue to Gerilda”; letters and diary entries; contemporary writings on comedy; and Burney’s cast-list for The Woman-Hater.

 

Contents

Acknowledgements
7
A Brief Chronology
36
The Witlings 177880 43
67
Burneys Earliest Theatrical Writing Epilogue
291
Burney and Molière
309
Burneys CastList for The WomanHater
322
Copyright

Other editions - View all

Common terms and phrases

About the author (2002)

Peter Sabor is a professor at McGill University.

Geoffrey Sill is a professor at Rutgers University.

Bibliographic information